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the concern for evocation and psychology
photographic documents
transliteration
also aims to echo the various facets of the erudition of this orator
Enfin le cinéma ! Littérature the concern for evocation andCatalogue of the exhibition Finally the cinema! at the Muse d'Orsay. At the dawn of the 20th century, cinema was as much, if not more, a way of appropriating the world, bodies, and representations, as it was a machine or a medium. A new, eminently social and popular perspective, it was the product of an urban culture fascinated by the movement of beings and things and eager to make "modernity" a spectacle. No sudden rupture or violent revolution,
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