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although the approach is entirely different
“to circle around the sacred basin
allegorie mitologiche e figure oniriche
the setting could be identified with Tsukudajima
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 81, 1836-1847 sculture although the approach is entirelyBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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