KŌRIN FURUYA, Kōrin-style Patterns n. 56, 1897 sculture Perfect impression printed and published

Perfect impression printed and published by the Thomas Gallery in Munich and printed in a total of 125 copies

Ryūkatei Tanekazu in the spring of 1851 writes:

The movement identifies itself with the propulsive force of the wave

Raised in an aristocratic family

KŌRIN FURUYA, Kōrin-style Patterns n. 56, 1897 sculture Perfect impression printed and publishedStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: