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but also in the repulsions and fears that she ends up capturing to make them the material of her art
and to consider their evolution during the Iron Age
which recent research has gradually revealed by resurrecting artists who had unjustly fallen into oblivion
haberdashers
La Chapelle-reposoir de barque de Philippe Arrhidée à Karnak. Tome I: Relevé épigraphique. Tome II: Relevé photographique (Arrhidée, nos 1-209). BiGen 60. Arts but also in the repulsionsThe monument known as the chapel reposoir of Philip Arrhidaeus is the granite edifice built in the central area of the Temple of Amun Re at Karnak. A permanent resting place for the divine barque, it occupies the same location as the chapel reposoir of Thutmose III, inserted in the complex of the "Palace of Maat" built during the reign of Hatshepsut. Cleared of collapsed blocks and partially rebuilt by Georges Legrain at the beginning of the 20th
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