Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie originally located on the left

originally located on the left bank

Chapters on the life

implies reconsidering the fundamental data of this canon: perspective

Colors are not insignificant

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie originally located on the leftFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first