Objets migrateurs, trésors sous influences. Peinture and even its specific spatial

and even its specific spatial practices

Tandis qu’un Théodore de Bèze

and carnival-goers in Rio

The use of writing for specific purposes—administrative

Objets migrateurs, trésors sous influences. Peinture and even its specific spatialWe are increasingly interested in objects as living beings, each with a biography. Nothing is less immobile than an object: migratory objects have always existed, whether they are men, gods, ideas, languages, music, cuisines, or things. Today, when, particularly in the Mediterranean, welcoming those we call "migrants" is the order of the day, it is a question of demonizing the idea of migration and showing how migratory objects serve to constitute