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which later became very popular among kimono designers and producers in Kyoto
and industrial details intertwine with each other
the anonymous
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HIROSHIGE UTAGAWA I, Vedute della Tōkaidō n. 10, 1851 sculture which later became very popularDelicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes Zen Pen (Vol. I) and Go Hen (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Rykatei Tanekazu. The series Tkaid fukei zue collects narrative and landscape illustrations that retrace the stations of the Tkaid, the ancient road that connected Kyoto with the capital Edo. Bibliography https:
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