De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord deux biais qui ont souvent

deux biais qui ont souvent marqué les travaux historiographiques

Letteratura italiana e strierera

and historians to tell us about the worlds of yesterday and tomorrow

Along with the Russians Wassily Kandinsky and Kazimir Malevich

De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord deux biais qui ont souventFrom Rubens to Velzquez, from Poussin to Delacroix (through Veronese), European genius drew its substance from 16th century Venetian art. A certain relationship to the object and therefore to the concept was undone in these decisive years when it was the notion of figure that oscillated: in Giorgione, in Titian, the progressive blurring of contours canceled the opposition of form and content and created a surface without hierarchy, isotropic. The