Concrete, mon amour. The raw Imprint of Modernism. Divers In 1729 he worked as

In 1729 he worked as a "canvas painter" at the Château de Chantilly in the service of Louis-Henri

His abundant work sheds light on the background of the Jewish revolt

His personal journey led him to sculpture

domestic embroidery

Concrete, mon amour. The raw Imprint of Modernism. Divers In 1729 he worked asOnce hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid to late 20th century, which have become a defining subject of Stefano Peregos photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten